Hasselblad X1D II 50C: out of the studio and onto the highway
We crawled in An abandoned school bus that drove through shabby corridors avoided fleeting thunderstorms and wandered the empty streets of Chinatown until late at night. I couldn't have been happier for two weeks of summer.
New York City was closed. I had been quarantined in my dirty apartment, discouraged and restless. I really wanted to do something creative. Thankfully, the Hasselblad X1D II 50C arrived for review, along with studio heads approval for socially distant outdoor photography.
Taking photos of the everyday (flowers, buildings, etc.) would have been a disservice for a $ 10,000 camera kit. Instead, my friends and I worked together on a fun little project: we shot portraits inspired by our favorite films.
Equipped with masks and a bottle of hand sanitizer, we put the X1D II 50C and 80mm f / 1.9 lenses (ideal for close-ups without actually having to take close-ups) through their paces in some of the lesser-known scenes of NYC.
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Before I get into trouble on the last photo – Alex and Jason are professional stuntmen and this is a rubber gun. They reenacted the penultimate scene from Infernal Affairs – a brilliant piece of Hong Kong cinema (much better than the Scorsese remake).
While the camera is a bit more accessible in terms of cost and usability with a few upgrades (bigger, more responsive rear screen, cleaner menu, tethering features, faster startup time, and shutter release), the X1D II is essentially the same as its predecessor. So I skipped the standard rating.
Credit: Veanne Cao
What it is, what it is not
The most common complaints about the X1D were slow autofocus, slow shutter release, and short battery life. The X1D II has improved these features, if not significantly. Instead of looking at the delay as an obstacle, I had to slow down and rewire my brain for a more thoughtful style of shooting (a nice side benefit).
As I mentioned in my X1D review, Apple and other smartphone manufacturers have made taking great pictures effortless. As such, accessibility has created a culture where everyday banalities are overly captured. They shoot far more than ever before. It is my fault. Pretty much sure 90% of the pictures on my iPhone camera roll are disposable. (The other 10% is from my dog, and he's spectacularly photogenic.)
The X1D II isn't a simple camera, however. It's frustrating at times. If you're a beginner you may need to learn the basics (ISO, aperture, when to click the shutter) but the payoff is well worth it. There's an overwhelming sense of satisfaction when you get that one shot. And at 50 megapixels, it's full of detail and deserves to be hung on your wall. Spending a ton of dollars on the X1D II won't make you a better photographer in an instant, but it should encourage you to become one.
Without the invented studio lights and the stage set, our outdoor shots became an improvisational exercise: wWe walked through the neighborhoods and found internships (street lamps, neon lights … the sun), discovered places and changed places when things didn't work out.
We explored, we had a purpose.
My takeaway from the two weeks with this camera: Take a break and be meaningful in your actions.
The tested kit is pretax $ 10,595:
Hasselblad X1D II 50C Mirrorless Camera – $ 5,750
Hasselblad 80mm f / 1.9 XCD Lens – $ 4,845